We have been studying portraits, which are all about light, which is the focus of our Advanced Techniques in Photojournalism class. Light is where it's at. For this assignment we were simply tasked to find a portrait that utilized good studio lighting to reveal the character of the subject.
This is a photo of Corazon Aquino taken by Diana Walker for Time Magazine. In 1986, Aquino ran for president of the Philippines against Ferdinand Marcos after her husband, a politician and leader who opposed Marcos, was assassinated. She ended Marcos' 20 year term when she became the nation's 11th president. She was chosen as Time's Person of the year for 1986 - the first woman since Queen Elizabeth II in 1952.
I think chair in the portrait tell a great deal about Aquino's personality. It seems almost like a humble throne, fitting for a woman as honored and revered as she was. While the flag on the left displays the presidential seal, the one on the right is the nation's colors. She worked to lessen the authoritative role that the president plays in the government, so the presence of both flags is important. Her posture communicates a formal and elegant person, yet her slight smile looks ready to break into a grin at any moment and her left hand rests on her lap completely relaxed. She's serious and capable, but not at all untouchable.
The key light seems to be coming from the just over midway elevation and on the right side. There's some sort of super soft fill on the left. The reflection of these lights in her glasses show that the light sources are fairly large. There's also a hair light to help set her forward from the background.
I originally wanted to find a studio portrait of Gloria Macapagal Arroyo, the current president of the Philippines, to use for this assignment. I was excited to find this image by Melvyn Calderon, but unfortunately I could not find the photo in any publication, so we're stuck with the watermark. I'm not sure if the fist under the chin is supposed to be vaguely reminiscent of Aquino's portrait, or if it might be a somber spin on the "pogie points" pose (the thumb and index finger framing the chin) that Filipinos know and love. Maybe it's just coincidence. The painting hanging behind her is an image of her father Diosdado Macapagal, who was the president 40 years before her. Interestingly, he lost his bid for a second term to Ferdinand Marcos.
The portrait was made in October 2000, before the Edsa II demonstrations removed Joseph Estrada from the presidency and installed Arroyo (who had been vice president) in 2001. In this image she is young and very soft looking. If I were to photograph a portrait of President Arroyo now, after she was sworn into office under such tumultuous circumstances and has survived several coup attempts, I would not see a soft, green woman. Her father's painting in the background is significant as well. She has earned her own stance as an enduring leader in the past decade, yet she is still known as Gloria Macapagal Arroyo (or GMA). Her heritage has undoubtedly affected her success. Lastly, her very polished appearance is characteristic of her identity as a Filipina. Her nation is composed of people who remain extremely clean and well groomed despite limited access to running water and reliable electricity. Their president embodies this character in her immaculate hair, make up, and dress.
As far as lighting... I almost wonder if there is a window off to the left? If not than the studio lights do a very good job of replicating the soft, even spread that a close or large window would offer. Then again, the shadows falling from her vertical arm indicate a high light source maybe 3/4 back. That sounds more like studio lighting than a window to me. The fill on the right side keeps the light ratio in the image low.
Wednesday, September 16, 2009
Tuesday, September 8, 2009
Copy Test
These are the images I made of images other people made already. It was an unexpected four hours in the lab, but I do appreciate learning the copy test method. It will no doubt prove useful in the future, and it was cool to use professional equipment like that.
This photo belongs to Steve Simon and was published in the Fall 2008 issue of pdnedu "The Photojournalism Issue". I have no idea what kind of light is happening here.
Robert Caputo took this picture. It was published in a National Geographic story entitled "Zaire River" in the November 1991 issue. The warm sunlight depicts the scene as life might feel to those in it- hot, bright. The dirty brown environment the golden sun reveals is livened by the rich hues also emphasized by the same light.
I like this photo from my light exploration take for several reasons. For one, the composition is funky since the subject is almost in the center. You also have to work to determine what that silhouette is on the far right. I like pictures that draw you in and make you wonder. Then, of course, the lighting from the fish tank proves to be the real subject of the photo.
The blue and green in the tank and the purple glow atop it are the result of a tungsten white balance setting, a fluorescent light bulb, and a beige wall. The clarity of the water is what makes it all possible. The light being reflected into color is made possible by that light not being absorbed by murky water.
This photo belongs to Steve Simon and was published in the Fall 2008 issue of pdnedu "The Photojournalism Issue". I have no idea what kind of light is happening here.
Robert Caputo took this picture. It was published in a National Geographic story entitled "Zaire River" in the November 1991 issue. The warm sunlight depicts the scene as life might feel to those in it- hot, bright. The dirty brown environment the golden sun reveals is livened by the rich hues also emphasized by the same light.
I like this photo from my light exploration take for several reasons. For one, the composition is funky since the subject is almost in the center. You also have to work to determine what that silhouette is on the far right. I like pictures that draw you in and make you wonder. Then, of course, the lighting from the fish tank proves to be the real subject of the photo.
The blue and green in the tank and the purple glow atop it are the result of a tungsten white balance setting, a fluorescent light bulb, and a beige wall. The clarity of the water is what makes it all possible. The light being reflected into color is made possible by that light not being absorbed by murky water.
Wednesday, September 2, 2009
Crossing the street today...
As I was walking home from class today I saw traffic backing up on S. College. Initially I thought it was some sort of fender bender since there were only a few police cars. Then an ambulance and a firetruck rolled in. As I got closer I saw a girl lying in the road and a driver's side mirror lying on the sidewalk. She had a broken leg, but I don't know the extent of her injuries otherwise.
I'm still uneasy about taking pictures in such situations. The ethics seem muddled. I mean, if it was my sister out there would I want people taking pictures of her? Honestly, I think it depends. The intent of the images and the attitude of the journalist are both key.
Student journalists taking down information from MUPD Captain Brian Weimer.
Tuesday, September 1, 2009
Empty Blog
I don't like starting off with a blank blog, so I'll go ahead and post a few images from my summer before getting down to business with class assignments.
My parents. I was looking at them through a hole in a crazy crawlspace at the City Museum in St. Louis. I wish that wooden post and deck weren't so obtrusive.
My little sister, Rachel. Our trip to the museum was in honor of her birthday. The glass mosaic fits her personality well and while the photo's toning leaves much to be desired, her smile is genuine.
Picasso style!
My parents. I was looking at them through a hole in a crazy crawlspace at the City Museum in St. Louis. I wish that wooden post and deck weren't so obtrusive.
My little sister, Rachel. Our trip to the museum was in honor of her birthday. The glass mosaic fits her personality well and while the photo's toning leaves much to be desired, her smile is genuine.
Picasso style!
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