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I think chair in the portrait tell a great deal about Aquino's personality. It seems almost like a humble throne, fitting for a woman as honored and revered as she was. While the flag on the left displays the presidential seal, the one on the right is the nation's colors. She worked to lessen the authoritative role that the president plays in the government, so the presence of both flags is important. Her posture communicates a formal and elegant person, yet her slight smile looks ready to break into a grin at any moment and her left hand rests on her lap completely relaxed. She's serious and capable, but not at all untouchable.
The key light seems to be coming from the just over midway elevation and on the right side. There's some sort of super soft fill on the left. The reflection of these lights in her glasses show that the light sources are fairly large. There's also a hair light to help set her forward from the background.
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The portrait was made in October 2000, before the Edsa II demonstrations removed Joseph Estrada from the presidency and installed Arroyo (who had been vice president) in 2001. In this image she is young and very soft looking. If I were to photograph a portrait of President Arroyo now, after she was sworn into office under such tumultuous circumstances and has survived several coup attempts, I would not see a soft, green woman. Her father's painting in the background is significant as well. She has earned her own stance as an enduring leader in the past decade, yet she is still known as Gloria Macapagal Arroyo (or GMA). Her heritage has undoubtedly affected her success. Lastly, her very polished appearance is characteristic of her identity as a Filipina. Her nation is composed of people who remain extremely clean and well groomed despite limited access to running water and reliable electricity. Their president embodies this character in her immaculate hair, make up, and dress.
As far as lighting... I almost wonder if there is a window off to the left? If not than the studio lights do a very good job of replicating the soft, even spread that a close or large window would offer. Then again, the shadows falling from her vertical arm indicate a high light source maybe 3/4 back. That sounds more like studio lighting than a window to me. The fill on the right side keeps the light ratio in the image low.